Melina Marchetta's Looking for Alibrandi: Summary & Analysis - SchoolWorkHelper
identity transformation happens in both Josephine Alibrandi and John Barton in different ways. Each of It will help me to find some points that I am going to expand in connection with my corpus which will focus on adolescence. Looking for. The novel, Looking for Alibrandi by Melina Marchetta, focuses on a 17 year old That is the relationship that Nonna had with Marcus Sandford went further than Josie was forced to call Michael Andretti to come to school and help her to. At the start of "Looking for Alibrandi", by Melina Marchetta we are introduced to a and meeting, and having a relationship with her father, Michael Andretti. All of these changes, and others, help to shape the character of Josephine Alibrandi.
Initially, Josie thought that it was no big deal and that they could handle him Quote: Josie was very rude towards Michael. She wanted to make Michael feel bad. You keep out of my life, I keep out of yours. Nonetheless, they broke the promise or more appropriately, Josie broke the promise.
In the middle of the novel, one significant incident happened at school. Miraculously, he came and he sorted out the problem. This proves that Michael has some sort of interest in Josie and her life. She felt proud walking past her classmates with a father Quote: It was a great feeling. Subsequently, their relationship started building up. At that time, he offered her an afternoon job as a photocopier and helping the secretaries and Josie agreed.
She knew that he would have come back if only he knew that Christina had gone through with the pregnancy Quote: I know you would have. The same goes with Michael, he wanted to know more about Josie.
He wanted to be a part of her life Quote: I want to be part of your life. Mamma, Nonna, cousin Robert etc. Josie tells us a lot of important background information in this voiceover.
Melina Marchetta’s Looking for Alibrandi: Summary & Analysis
She reveals that Francesco kicked Christina out when she was seventeen; that Nonna believes Josie brought the curse on the family, and that only Josie and Christina know that Michael Andretti is Josie's father. Josie uses this voiceover to convey a number of things to us: A lot of what Josie's learnt about herself over the previous year is conveyed through this final voiceover.
She admits to not knowing everything, but she does know and appreciate more where she belongs. They are also a way of showing how creative, imaginative and romantic Josie is. Carly is such a glamorous figure in her school that Josie believes there is some truth in this fantasy.
The way that all of her friends fawn over her seem to Josie to be similar to this kind of movie star treatment. So hung up is Josie on the idea that she is going to marry into the world of John Barton, that she begins to dream about it.
She becomes shadow attorney general like the most powerful lawyer in the country and all of the people she knows gather around her. Josie's fear that this year is going to be disastrous is acted out in the fantasy that she is St. Barbara who was beheaded by her father. Coming shortly after meeting her father for the first time, clearly Josie is worried about how things will develop.
Being rescued by Michael: After Michael talks their way out of being sued by Ron Bishop, the stained glass window in the stairwell at St. Martha's changes to reveal Michael as an angel, rescuing Josie. Light builds behind it, making it almost a biblical miracle. After John Barton's death, the fantasy sequences get fewer and farther between. There are no more after Josie begins studying for her HSC. This represents something of a loss of innocence, where Josie is no longer as dreamy or as optimistic as she was at the beginning of the film.
Important Events Josie meeting her father for the first time: This has a profound impact on Josie's life. She goes through a range of emotions, but ends up seeing him as a person who has a lot to offer her, and who completes a part of her she never knew anything about.
He helps her with her studies and gives her practice working in a law firm. This helps Josie to see a number of things: This helps Josie to see the motives behind her grandmother's actions. She was trying to protect Christina, rather than punish her, and was hurt when she fell pregnant. By bringing everything out in the open, their feeling can begin to be resolved and they can move forward as three generations of strong, loving Alibrandi women.
Close Reading Tomato Day beginning The very first image of the film is an aeroplane flying somewhere. Josie desperately want to be somewhere else and the plane is one symbol of this. Tintorella di Luna and old Italian twist song plays in the background. This sequence is one continuous shot until Josie arrives. When she appears on camera, the colour returns to normal and editing begins. It was shot on a handheld camera and coloured to make it look like an old home movie. This gets us thinking about a number of things: What reasons does Josie give for not wanting to be part of Tomato Day?
Which important characters are introduced in this sequence? How does Josie show she doesn't want to be part of this world? What ideas does Josie express about her future? Martha's Josie walks up to her school while the wealthier students are dropped off in expensive cars. She tells us about her and her friends' circumstances, and says that fathers seem pretty useless anyway so why would she want one?
Carly Bishop is introduced and Josie runs through a fantasy scene where she is a famous model who is adored by the students at St. The colours that dominate this sequence are cold whites and blues making the school uninviting, very different to the warm reds and yellows of Josie's backyard. What contrasts are there between people like Carly Bishop and people like Josie Alibrandi in this scene?
How has dialogue been used to introduce Carly's character? Meeting Michael for the first time Nonna's on the phone to one of her spy ring when Josie arrives. She's hot and irritable. When she tries to turn the air conditioning on, she's ushered out of the room because it's only for when guests are around. Josie and Nonna argue and Nonna tells her to go home. Josie's just about to do this, when Michael's standing at the door. She's caught off guard and runs away, embarrassing Nonna.
The soft focus and halo of light around Michael's face when the door is opened makes him seem angelic or like a star in a romantic film. One ironic line of dialogue is when Nonna says 'I was taught to speak English before you mother was born.
Why do you think Nonna like to speak Sicilian when Josie's around? Why does Michael say 'Christina's daughter?
Jacob drops Josie off Having just had an adrenaline-filled ride home, Jacob walks Josie up to her house. He tells her about her mother and the process he went through grieving for her. He thought she was wealthy because she goes to 'that snob school'. They pause and Jacob tries to kiss Josie, who initially pulls away, realises she's made a mistake and leans forward, by which time Jacob's pulled away.
Why does Jacob seem interested in whether Josie would be at a school like Cook High if she wasn't on her scholarship? What contrasts are there between Josie and Jacob? Setting John's soul free Lying in bed after the funeral, Josie remembers she has John's soul under her bed. She gets it out and reads it. John wants to be all of the things people want him to be, but knows he can't be them all. All he wants is freedom.
The camera mounted on a crane pulls back to allow John the freedom he desires. Tearing up the letter also tells the audience that she won't follow John towards suicide when things are difficult. She won't hold on to the pain and the grief.
What link is there between what John wants and Josie tearing up the letter? Why does John list the different things people want him to be? Breaking Carly's nose After breaking Carly's nose with her History book, Josie tries to handle it on her own, but after Carly criticises her for having no father, she brags about him being a solicitor.
She calls him and has to remind him where she goes to school.
Michael arrives and tries to get Josie to tell him what name Carly called her, but she won't say. All she says is that nobody ever told John's friends they couldn't play at his house, bringing one of the underlying issues up. Michael understands and talks their way out of trouble. What was the previous encounter between Josie and Michael?
Why is there a pregnant pause after Michael says the words 'My daughter Why does Michael mention he has a bad temper? Saying no Josie's concerned about what Sera said about her and Jacob's relationship being doomed because they're from different backgrounds.
Jacob can see this instantly and tries to calm her down. She meets his Dad and it is revealed that they have a close relationship. The kiss in Jacob's room and head towards having sex, but Josie decides she's not ready. Jacob gets anxious but Josie knows that just because Jacob and she have had different experiences with love and sex, they don't have to move at his pace. What might Jacob say in reply to Josie's comment that he lives without culture?
A Visual Text Study of Looking for Alibrandi, directed by Kate Woods - WikiEducator
What reasons does Jacob give for them being suited? Why do you think things don't always run smoothly? Confronting Nonna Josie confronts Nonna about her hypocrisy. Nonna explains what is was like for her in a marriage where her husband was abusive. In her heart, she imagined she was married to Marcus Sandford back in Queensland.
She wanted to protect Christina from repeating the same fate and was upset when she found out that Christina had been seeing boys behind her back, and was pregnant. What things stop as a result of this scene? What does she learn about her Nonna as a result of this conversation? Josie's first reaction is to run off and tell her mother. Why would that have been the wrong thing to do? Why was it better for them all to sit down and share it? Tomato Day end Tomato day again. A whole year has passed.
This time Josie is much more secure in who she is, and accepts that her family is an important part of who she is.
She doesn't try to run away as soon as she can, on the contrary, she brings first Jacob, then Sera and Anna in to help. The final clue that she is happy here is asking Nonna for a dance. It symbolises the way they have resolved their differences. What has Josie achieved in the previous twelve months? Symbolism Travelling One of the most important symbols in the film is the idea of travelling. Josie's culture has been transported to Australia, and she is trying to transport herself to a different style of life.
These are some of the more important examples of this symbol, or motif. The very first shot of the film is of an aeroplane flying over the house. Planes often symbolise people wanting to go places. The final sequence of the film also has a shot of an aeroplane, but this time, Josie simply looks up, happy exactly where she is. Josie's first means of escape from her family at the beginning of the film is by travelling.
She jumps in Sera's car and heads for the beach to escape 'National Wog Day'. John's expensive car is another reminder that they come from separate backgrounds.GTV in "Looking for Alibrandi"
Carly is offered the lift, suggesting that she is more suitable for John because of her family. The cruel blow is that Josie initially thinks she is being offered a lift. Josie's relationship with Jacob is symbolised by the motorbike. It is fast, unstable, dangerous but can also be a lot of fun. Driving over the bridge can also be seen to symbolise moving into adulthood because she considers having sex with him.
Josie must take public transport to her school. She has to travel quite a distance because she can't afford to live in the wealthy area around the school. She also hopes that the scholarship will help her to travel to a 'better' life: The rollercoaster outside Michael's apartment could be seen as a symbol of Josie's life as a whole, but it particularly suits her relationship with her father.
It go through its ups and downs and certainly throws Josie around a bit. The Volcano The image of the volcano occurs a couple of times during the film, but it is quite an important symbol to remember when thinking of Josie.
Lots of things are building up inside her and they often come out in shows of strong emotion. She often deals with problems by yelling, abusing someone or crying, all of which can be seen to be similar to a volcano welling up and overflowing. The first example of the volcano occurs when Jacob offers to give Josie a lift home. Behind them as they are getting onto the bike, a screen is playing footage of a volcano exploding. Josie's emotions are also welling up in this scene, with her frustration at not being asked to dance by John Barton being matched against her rising interest in Jacob.
The second instance of the volcano symbol is on the glass wall of the Bar Stromboli where Josie has coffee with her father. Things are welling up inside her over her relationship with her father too, particularly given that Nonna doesn't like her seeing him. Throughout the film, Josie's emotions swing from not wanting anything to do with her father, to wanting he and her mother to get back together. Occasionally it gets too much for her and she erupts at him.
Hands Hands are often things that we take for granted, but watching what they do in a film can be quite a useful way of exploring ideas and relationships.
In both of the Tomato Day sequences, hands dominate the shots. Most of the people present are doing something with their hands, largely towards making the pasta sauce for the family. Because of this, they symbolise the way that people can do things for others. Other examples include preparing meals for other people Nonna does this often to show you care for them and you want them to be happy and well. When Josie leaves to go to Bondi with her friends, she washes her hands of tomato juice.
This is symbolic of what she wants to do with her family and culture as a whole at the beginning of the film: She learns that it isn't as easy as that, and by the end of the film, she has learnt that she is better off embracing them, rather than being ashamed of them.
When Nonna is angry at Josie's cheekiness, she raises her hand as if to discipline her, but drops it when her point is made. Hands can communicate peoples' emotions, and especially show when they are angry. Another time hands reveal emotions is when Josie uses her to break Carly's nose with a history book.
Soundtrack When studying film, the word soundtrack measn everything you can hear, not just the music used in the film. Having said that, the background music used in the film is quite significant. Background Music The producers of the film wanted the music to be an important part of the film.
The lyrics of most of the songs used in the film enhance the audience's understanding of what occurs during each scene. Here are a few examples. I can't live, with or without you Nothing to win and nothing left to lose Your kiss is as wicked as an M and you talk like a volcano and you're everything to me.
They help her through difficult times and they help her to understand things. When Josie introduces us to her friends, she says that they 'kinda happened by default', but despite this, they are excellent friends who help each other out enormously.
Coming from similar backgrounds as Josie, she feels as though she's not alone at St. John's death helps Josie to see a number of things: When John dies, Anna and Sera wait by the lockers so they can be around when Josie gets to school.
They try to break it to her as gently as possible and tidy up Josie's dropped things after she runs out. They leave her to go too, understanding she needs space. Sera's comment that you need to be from the same background to make a relationship work might be based in the truth, but it's not as simple as that. Josie learns that it might be true, but it might not be as well. The reassurance she seeks from Jacob is quickly given. The pressure to be perfect Lots of the images that only appear on the screen for a second, or might appear in the background are very important in the story.
All of the posters and magazine covers below were made by the Art Department working on the film and laced in important places.